Best Selling Movie DVD's Reviewed

The Lord of the Rings: The Two Towers is a seamless continuation of Peter Jackson's epic fantasy based on the works of J.R.R. Tolkien. After the breaking of the Fellowship, Frodo (Elijah Wood) and Sam (Sean Astin) journey to Mordor to destroy the One Ring of Power with the creature Gollum as their guide. Meanwhile, Aragorn (Viggo Mortensen), Legolas (Orlando Bloom), and Gimli (John Rhys-Davies) join in the defense of the people of Rohan, who are the first target in the eradication of the race of Men by the renegade wizard Saruman (Christopher Lee) and the dark lord Sauron.

Fantastic creatures, astounding visual effects, and a climactic battle at the fortress of Helm's Deep make The Two Towers a worthy successor to The Fellowship of the Ring, grander in scale but retaining the story's emotional intimacy. These two films are perhaps the greatest fantasy films ever made, but they're merely a prelude to the cataclysmic events of The Return of the King. --David Horiuchi
 

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As with Star Wars, the George Lucas-produced Indiana Jones trilogy was not just a plaything for kids but an act of nostalgic affection toward a lost phenomenon: the cliffhanging movie serials of the past. Episodic in structure and with fate hanging in the balance about every 10 minutes, the Jones features tapped into Lucas's extremely profitable Star Wars formula of modernizing the look and feel of an old, but popular, story model.

Steven Spielberg directed all three films, which are set in the late 1930s and early '40s: the comic book-like Raiders of the Lost Ark, the spooky, Gunga Din-inspired Indiana Jones and the Temple of Doom, and the cautious but entertaining Indiana Jones and the Last Crusade. Fans and critics disagree over the order of preference, some even finding the middle movie nearly repugnant in its violence. (Pro-Temple of Doom people, on the other hand, believe that film to be the most disarmingly creative and emotionally effective of the trio.) One thing's for sure: Harrison Ford's swaggering, two-fisted, self-effacing performance worked like a charm, and the art of cracking bullwhips was probably never quite the iconic activity it soon became after Raiders.

Supporting players and costars were very much a part of the series, too--Karen Allen, Sean Connery (as Indie's dad), Kate Capshaw, Ke Huy Quan, Amrish Puri, Denholm Elliot, River Phoenix, and John Rhys-Davies among them. Years have passed since the last film (another is supposedly in the works), but emerging film buffs can have the same fun their predecessors did picking out numerous references to Hollywood classics and B-movies of the past. --Tom Keogh

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The more you know about the Civil War, the more you'll appreciate Gods and Generals and the painstaking attention to detail that Gettysburg writer-director Ronald F. Maxwell has invested in this academically respectable 220-minute historical pageant.

In adapting Jeffrey Shaara's 1996 novel (encompassing events of 1861-63, specifically the Virginian battles of Bull Run, Fredericksburg, and Chancellorsville), Maxwell sacrifices depth for scope while focusing on the devoutly religious "Stonewall" Jackson (Stephen Lang), whose Confederate campaigns endear him to Gen. Robert E. Lee (Robert Duvall, giving the film's most subtle performance). Battles are impeccably recreated using 7,500 Civil War re-enactors and sanitized PG-13 violence, their authenticity compromised by tasteful discretion and endless scenes of grandiloquent dialogue. Still, as the first part of a trilogy that ends with The Last Full Measure, this is a superbly crafted, instantly essential film for Civil War study.

For all its misguided priorities, Gods and Generals is a noble effort, honoring faith and patriotism with the kind of reverence that has all but vanished from American film – but provides abundant proof that historical accuracy is no guarantee of great storytelling. --Jeff Shannon

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Having battled a hellish vampire master, an evil boyfriend, a rogue slayer, a giant man-eating demon-snake thing, and a particularly nasty high school principal, Buffy Summers embarked on one of her biggest challenges in the fourth season of Buffy the Vampire Slayer: college. With boyfriend Angel out of the picture (and on his own show) and Sunnydale High destroyed, new horizons were to be tackled for Buffy and the rest of the Scooby gang. There were cute guys (Buffy's new boyfriend Riley), cute girls (Willow's new girlfriend Tara--yes, Willow's gay!), frat parties, irritating roommates, harsh professors, and, oh yes, a secret military initiative that was experimenting on the demon population (Riley's part of it).
Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. While Frankenstein-esque monster Adam wasn't the show's best villain (you'll have to wait until next season's Glory for that), he was a worthy adversary for the biotech age, and the military milieu was a nice contrast to Buffy's previous gothic outings. Season 4 also marked the return of blond vampire Spike (who developed a crush on Buffy), the ascension of vengeance demon Anya to full-time cast status, and the brief return of bad slayer Faith (in a fab two-part body-switching episode). Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart

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DVD 1:
Live at the Royal Albert Hall (1970)
1969 - 3 titles from Danish Television (31 min Stereo)
1969 - "Communication Breakdown" Promo - Paris (9 min Stereo)
1969 - "Dazed And Confused" - Supershow (7 min Stereo)

DVD 2:
1972 - Immigrant Song - Splodge Edit Live (4 min)
1973 - Madison Square Garden - New York (24mn) - 4 titles not included in the film "The Song Remains The Same"
1975 - Earl's Court - London 49 min - 6 titles
1979 - Knebworth - Angleterre 52 min - 7 titles
1970 - NBC interview with the band (mono)
1972 - Rock N' Roll + interviews from Australian Television (4 min Stereo)
1975 - Interview with Robert Plant - BBC Old Grey Whistle (4 min Stereo)
2 clips : "Over The Hills" and "Travelling Riverside Blues" (4 min)

Highlights? It's not hyperbole to say that every powerhouse minute of this collection (some 230 minutes of concert footage plus another hour and a half of extra DVD material) is a rare musical and visual treat. But hearing Page's violin bow work on "Dazed and Confused" in DTS or Dolby 5.1 is an experience not soon forgotten. --Mark Walker

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Warren Schmidt (Nicholson) is about to taste a not so sweet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman.

From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.

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Pretty Brittany Murphy and prettier Ashton Kutcher make a surprisingly enjoyable comic team in Just Married, a romantic comedy about a horrible honeymoon. After a whirlwind romance, radio traffic announcer Kutcher and rich girl Murphy get married over the objections of her upper-crust family. Their love can overcome snobbery--but as the cuddly pair start to drive each other nuts over mishaps traveling through Europe, it starts to look like their love can't overcome intimacy.

Just Married has a sprightly script that keeps one foot on the ground (unlike some recent romantic comedies that seem to have no connection to reality) and one eye on the small ways in which lovers can get on each other's nerves. Kutcher (Dude, Where's My Car?) and Murphy (Clueless, 8 Mile) have a sweet yet volatile chemistry that keeps the antics lively. --Bret Fetzer

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